In chapter 5, when Daisy and Gatsby meet, how is weather used to create mood, and what mood(s) is created?

The scene where Gatsby and Daisy meet exposes a lot about who the characters really are. For the first time in that scene you see the walls of these characters come down and they seem more genuine and show emotions. Gatsby acts like a nervous mess and is clearly hypnotized by Daisy. Daisy also seems to act more genuine and seem like she cares. Daisy seems less sarcastic and shows more part of her personality that she usually hides. The scene where they met also seemed kind of awkward and that is not something that was common for these characters before. These characters usually seem to be able to be normal in social situations and around others. This scene kind of helped put the characters together and tell the readers more about their personality.

In the first two pages of the novel, Nick Carraway claims that he is "inclined to reserve all judgment." Do you find that this is true so far? Please provide textual evidence to support your position.

In the first two pages of The Great Gatsby, Nick Carraway said that he is, "inclined to reserve all judgment." There are times in the first few chapters where I started to question if that was really true. Most of the time Nick Carraway just played the narrator and explain facts and visual details to really give the reader an insight into what Fitgerald was envisioning. However, there were other times when Nick Carraway seemed to make judgments on people which he said he would not on the first two pages. On page 6 Nick said,"one of those men who reach such an acute limited excellence at twenty or that everything afterward savors of anticlimax." He says that about Tom Buchanan who is Daisy's husband. By him saying that it seems like he is judging him for having success young and he is making assumptions about what the rest of his life will be. Nick also said on page 7,"It was a boy capable of enormous leverage, a cruel body." That may have just been a way to describe Tom but I found it as Nick making a judgment about Tom and his capabilities just based on the way he looked.

Describe the characteristics of the type of play that you are reading (history, tragedy, or comedy). How does your play conform to these characteristics. Does it differ? If so, in what way?

I am reading a Midsummer Night's Dream. This play is a comedy. For a play to be considered comedy it has to end in a wedding, feast, or a birth. Comedies also revolve around young love and the struggles a relationship has gone through. A Midsummer Night's Dream has one major characteristic of a comedy because it ends in a marriage. It is the marriage of Theseus and Hypolita. The play also fits the characteristic of showing the struggle of young love. The play shows this with Hermia and Lysander because Hermia's dad wants her to marry someone else. During all of this, the fairies are going around with their potion that makes people fall in love with the first person they see. All in all this play definitely follows the characteristics of a Shakspearean play.

Reflect on your project. How did it go? Do you feel like it was successful? If you could change something about the process or the outcome, what would you do differently? Would you do this type of project again? Be sure to briefly describe your project before reflecting upon it.

For my response project to The Merchant of Venice, I wrote an act 6 with Sydney. We decided to do it because we both thought the speculation about Bassanio and Antonio being secret lovers was really funny and wanted to make it come to life. We also wanted to make it funny because The Merchant of Venice is a comedy and I think we succeeded with that. I believe our project went really well because as we were performing it everyone in the room was laughing and caught on to the little jokes that we threw in throughout the script. I really liked how after the class we had a lot of people come up and tell us they thought it was really funny and well written. I think it would have been even better if we could have really performed it as if we were actors because that just really helps a script come to life. I would have also liked to rehearse a little more with the extra boys that we had to help us out. I did really enjoy this project though and it turned out the way I expected.

Write about anything having to do with The Merchant of Venice that you did not already write about that interests you.

Something that has not been brought up much in any of the conversations about the book is the relationship between Portia and Nerissa. I feel like it is a relationship where Nerissa constantly depends on Portia and just followers her every move. I think this because after anything Portia did Nerissa would follow and do the same. I wonder if that was happening because Portia has more power then Nerissa so she thought she had to follow her and kind of kiss up to her. I, however, think that is a really unhealthy relationship and if Portia was too loose Nerissa Portia would finally realize the friend she had. I think this is a lot like the saying, "You don't know what you have until it is gone," because it seems like Portia takes Nerissa for granted. I would have liked to see the relationship between the two of them to seem a little more genuine and treat each other like best friends.

In Act 4, Scene 1 (pp. 78-79) Portia gives a speech about the mercy vs. justice ("The quality of mercy is not strained..."). Explain what Portia is saying about justice and mercy, and why is this important in the play?

In Portia's speech about justice and mercy she reveals a lot about her religious beliefs. Portia is saying in her speech that god is merciful to humans so we should be merciful to each other. She says, "Though justice be thy plea, consider this: that in the course of justice none of us should see salvation." When Portia says that she is saying that even though Shylock is wanting justice he will not be free of sin because what he is wanting is wrong. Portia clearly ties in a lot of things about god and how mercy is a characteristic of god. That means that if Shylock was to get justice he is breaking the rules of god. Portia also says, "We do pray for mercy, and that same prayer doth teaches all to render the deeds of mercy." I read that as she was saying we all pray for mercy which will teach us all how to have mercy for others.

According to the 5-act play structure, the climax or turning point of the play should have happened in the third act. Did it happen? If so, what was it and what central conflict was addressed? If not, discuss the central conflict that has not yet been resolved.

By act three a lot of different things have happened. Jessica has run away from Shylock The Jew with a large portion of his money to live with Lorenzo. Antonio's boats are rumored to have crashed at sea. As well as Bassanio chose the right chest winning Portia's hand in marriage. Portia and Nerissa have also left to go to a monastery until their husbands return home and left Jessica and Lorenzo in charge at home. These things leave a lot of things unanswered and unaddressed. This part of the book is definitely the climax because everything is all becoming very dramatic and in the next two scenes things might become resolved and people might all come together. Either way, the problems that came to our attention in the third act will be addressed.